The portrait process begins with two sittings, ideally on consecutive
days, each of approximately ninety minutes duration. These sittings
can take place in the artist's New York studio, or at the subject's
home, office or other location. In the course of these two sittings,
the size and "spirit" of the portrait is decided upon, and the
questions of pose, lighting, costume, setting and expression are decided,
through discussion and experimentation. Extensive photographic reference
material is created to allow the artist to proceed after the sittings
conclude.
Back in the studio, the artist prepares a small preliminary visualization
of the proposed portrait. The client and the subject are often invited
to comment on this preliminary.
At this point, the final size of the painting is determined; the canvas
is stretched, using the finest Belgian linen, double-primed with a
fine titanium ground. The frame is ordered, allowing the work of hand-carving
and gilding to proceed as the work on the painting goes forward.
Now there follows a sustained period of studio work in which the details
of the composition are developed, one by one, and in concert. The
artist brings the painting as near to completion as possible. A final
sitting or sittings is now required.
The final sitting takes place either at the New York studio or
at the subject's location. If the latter, the painting is shipped
(in its final frame) to the location. As the subject sits, the artist
makes the crucial finishing touches. Often, close family members or
associates are invited to provide input. The painting is now finished,
and ready for display. |